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Timmy, once the boy who fell into a well, now portrayed as an adult descending into a cybernetic vortex.
Deep Recesses

Carefully Curated for Your Enjoyment

October 1, 2023May 11, 2026

Sixty Second Man

Reading Time: < 1 minute

I’m attempting to modernize the lyrics of “Sixty Minute Man” by Billy Ward and Rose Marks, as performed by Billy Ward and his Dominoes in a way that is respectful and mindful of contemporary sensibilities.

When it soared to number one on the R&B charts in May 1951, it not only dominated for 14 weeks but also made a remarkable crossover to the pop charts, reaching number 17. Its cultural impact was further cemented when it was voted ‘Song of the Year’ in 1951.

The song’s original lyrics, while iconic, carry a tone of bravado that might not resonate with everyone today, potentially leading to feelings of inadequacy and perhaps setting unrealistic standards in others. Acknowledging this, there’s room to adapt the song’s message for modern audiences, maintaining the catchy tune and historical charm, but with a refreshed perspective that is more inclusive and considerate of all listeners.

[Intro]
Sixty-second man, sixty-second man

[Verse 1]
Looky here girls I’m telling you now, They call me “Speedy Stan”
I rock ’em, roll ’em for seconds long, I’m a sixty-second man

[Verse 2]
If you don’t believe I’m all that I say, Then I’ll just use my hand
When I let you go you’ll ask “Already?!?”, “He’s a sixty-second man”

[Bridge]
There’ll be 15 minutes of begging, Then you’ll holler “Please please stop”
(Please stop!)
There’ll be 15 minutes of crying
And 15 seconds of blowing my top

[Verse 3]
So if your man is takin’ too long, Come up and see ol’ Stan
I rock ’em, roll ’em for seconds long, I’m a sixty-second man

[Outro]
Sixty-second man, They call me Speedy Stan
I rock ’em, roll ’em for seconds long, I’m a sixty-second man

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Rick Anderson

Rick Anderson (not that one) is a dedicated music enthusiast, deeply passionate about guitars and audio equipment. His musical journey, enriched by collaborations with well-known artists he prefers not to disclose, makes him a versatile figure. Equally comfortable strumming his guitar in El Monte and writing on a broad spectrum of topics — from music critique to in-depth guitar and audio equipment reviews.

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